by JMancuso » Fri Sep 03, 2010 5:43 am
I use it everywhere as a scenic base and bonding agent. I mix it to the consistency of tuna fish (chocolate tuna fish?). I spread it in various thicknesses depending on the need. I've built up small undulations (up to 1" or so) solely in one layer - it takes longer to dry, but works fine. I've also carved in drainage patterns on slopes and even bare rock faces. I don't think it's ideal for a large, jagged Fos-like carving, but more subtle ones work fine. It can also be spread with a pretty smooth finish for a dirt road or other flatter area. I sprinkle ground foam, static grass, etc right on it while it's wet and just keep piling on layers of scenic texture until I'm happy. Finally, I wet the whole mess again with "wet water" and dribble diluted white glue thoroughly from a dropper. If the glue pools too much, I might sprinkle some more texture in those areas. I dip trees, shrubs, etc in white glue and stick them in holes I punch with a nail later (my scenic base is foam and my typical goop application is around 1/4" or so).
These are the same methods Sassi describes, but I wanted you to know I've used it with much satisfaction (also very little mess and cleanup). If you're careful, you can work it right up to building foundations, etc with a palette knife. Even if it touches anything it shouldn't, you can wipe it up easily before it dries. I generally apply a large blob at a time with a putty knife, then move it around with smaller palette knifes (cheap plastic set from a craft store). I'm careful not to smooth it out too much (unless that's what I want).
I'm a fan if you can't tell. Good luck...John